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Popular Colors | Three Traditional Chinese Colors of Oriental Aesthetics



Popular Colors | Three Traditional Chinese Colors of Oriental Aesthetics Chinese traditional colors contain the aesthetic taste of the Chinese people and ancient cultural deposits. “The mountains and rive…

Popular Colors | Three Traditional Chinese Colors of Oriental Aesthetics

Chinese traditional colors contain the aesthetic taste of the Chinese people and ancient cultural deposits. “The mountains and rivers are mixed with pictures and greens, and the smoke and clouds are purple and green.” The poet uses colors to present a hazy scenery in front of people, including white with clouds and mist, red with ground cinnabar, and blue and green shaped by cyanide.

Color is a way to understand the world, and traditional Chinese colors are integrated into life, caring for the heart, and conveying the ultimate oriental aesthetics. That year, the popularity of “Story of Yanxi Palace” also made Morandi’s color a hot topic. But Morandi himself was born two hundred years later than the Qing Dynasty, and the colors in “Story of Yanxi Palace” are actually the most orthodox traditional Chinese colors.

 Morning white and dawn
A day’s plan lies in the morning, and a year’s plan lies in spring. Morning dawn is a bright morning, full of hope, so in traditional culture It expresses the rising sun, high spirits, and bright future. The hazy gray color at dawn brings a romantic and soft visual experience, which is comfortable and natural.

The lake stretches to the sky
The spring water of the river is as green as green, and the spring mountains are everywhere. Traditional colors describe colors with more charm than modern ones. A touch of poetic green expresses the ancients’ reverence and love for nature.

 Peach and Apricot Family
“Occasionally, it is a small red peach and apricot color, leisurely and elegant, and there is still a solitary, thin and snowy appearance.” The words come from Su Shi’s “Ding Feng Bo: Ode to Red Plum Blossoms”. The red plum blossoms described by Su Shi have a small red peach and apricot color, which is the color of sumei. The color of peach and apricot is vividly expressed in the poet’s words, sometimes bright and delicate, sometimes aloof and noble, so it is loved by literati.

Keywords:
Oriental aesthetics traditional Chinese color
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